Finally, three popular genres-future bass, house music, and trap-are used to introduce musical form. Also presented is a practical approach to relevant music theory concepts. A pragmatic instrument taxonomy of “drums” and “not-drums” is used, and the typical instrumental layers in contemporary electronic music genres are explained. The projects cover drum programming and arranging, as well as writing chord sequences, basslines, and short melodies. ![]() This approach also has the benefit of mirroring “real-world” professional production practice. Therefore, the chapter gives techniques for quickly generating melodic and drum sequences, duplicating them, and creating variations on them. Beginner songwriters and composers find empty DAW sessions to be daunting, so it is essential to build their confidence. The projects include strategies for enabling students to quickly generate a large amount of original musical material quickly. ![]() The projects in this chapter introduce MIDI recording, sequencing, and editing techniques for composition and songwriting.
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